Wednesday, March 31, 2010
Thursday, March 25, 2010
Saturday, March 20, 2010
My Saturday at Havana and Alligator Point
Woke up in the morning feeling like P Diddy....
Some not quite strawberries in Havana
lunch...
aaaaand we made it! super happy to be here
Wednesday, March 17, 2010
Why I Love Henri Cartier-Bresson
1. He used a portable little Leica, a fixed 50mm lens, and 35 mm film in a time when most serious photographers were using large format cameras and tripods.
2. Most of them are candid. He painted the shiny parts of his Leica black, in an attempt to be more anonymous. Candids take a lot more patience, gumption, and work...if not talent, than other types of photos do (i.e. landscapes...they aren't exactly going anywhere)
3. He photographed Matisse, Albert Camus, and Truman Capote, seen below, respectively.
4. He started getting into photography during the Surrealist movement, how sweet is that?
5. "The Decisive Moment" Once you miss it, its gone forever.
6. He never used a flash. His quote sums up why it bothers me so much to use one: "impolite, like coming to a concert with a pistol in your hand."
7. He had an "in-camera" philosophy and never really fiddled with his photos in the darkroom. You can see in this one that its just a full frame print. Adds character.
8. "The simultaneous recognition, in a fraction of a second, of the significance of an event as well as the precise organization of forms which gives that event its proper expression... . In photography, the smallest thing can be a great subject. The little human detail can become a leitmotif." — Henri Cartier-Bresson
supposedly this is at Vieux Port, in Marseille.
2. Most of them are candid. He painted the shiny parts of his Leica black, in an attempt to be more anonymous. Candids take a lot more patience, gumption, and work...if not talent, than other types of photos do (i.e. landscapes...they aren't exactly going anywhere)
The little poster here says "give a little of your blood."
3. He photographed Matisse, Albert Camus, and Truman Capote, seen below, respectively.
Fun fact: of all the photos of his that I've seen, this one has the shortest depth of field.
4. He started getting into photography during the Surrealist movement, how sweet is that?
5. "The Decisive Moment" Once you miss it, its gone forever.
6. He never used a flash. His quote sums up why it bothers me so much to use one: "impolite, like coming to a concert with a pistol in your hand."
7. He had an "in-camera" philosophy and never really fiddled with his photos in the darkroom. You can see in this one that its just a full frame print. Adds character.
8. "The simultaneous recognition, in a fraction of a second, of the significance of an event as well as the precise organization of forms which gives that event its proper expression... . In photography, the smallest thing can be a great subject. The little human detail can become a leitmotif." — Henri Cartier-Bresson
Tuesday, March 16, 2010
Sunday, March 14, 2010
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About Me
- Caitlyn
- email me: caitlyn.haines@gmail.com and look at some more of my photography if you want... caitlynhaines.com